12 August

The cause of this defect

A young guy runs from the police. He hides in a wheelie bin. Bad move, as the rubbish truck comes along, picks up the bin and tosses it into the back. Thus ends the short, tragic like of Billy (The Kid) Grady West. He may have been Eric’s son, but the Wests were his true family – to the extent that he added their last name to his.

It’s the day of the funeral and the wake is to be held at the West house. Cheryl comforts Eric; Van is stricken by guilt; Pascalle turns her grief at Billy’s death on her little sister, accusing Loretta of being uptight, repressed, and most probably the oldest virgin in West Auckland; Jethro worries about his Mum and the inevitable return of….

Does it like, completely suck being a prison guard? I mean, cause criminals are bad and so prison guards should be good, but have you ever seen a movie where a prison guard is cool?Loretta

Wolf.

He arrives in a prison van at the cemetery; late, like a rock-star, distracting all the mourners and interrupting Jethro’s graveside eulogy. The son is forced to step aside as the father finishes the speech, recalling Billy’s obsession with yellow diggers and the time Billy and Van broke into Hirepool, in the middle of the night, to steal one. Wolf is back where he belongs, at the head of this family.

The wake. Wolf manages to talk his young prison guard into letting him attend – ‘just for half an hour’. It’s a triumphant return. Triumphant for everyone but Cheryl, that is. She escapes to the bathroom to get away from him. It doesn’t work. Wolf follows her there and in about two seconds flat he’s charmed her way his way past her objections. That resolve not to let him get to her dissolves under his caresses. Next thing, it’s all on; frantic sex on the vanity unit.

Which is when Jethro walks in on his worst Freudian nightmare. He beats a hasty retreat.

Meanwhile, Loretta spies Paul the prison guard. He will, she decides, suit her purposes perfectly. So she invites him back to her room to watch a DVD. Once in the room, she changes the offer to wondering if he’d like to have sex with her. He says yes. So she locks her bedroom door.

Over the course of the day, the wake morphs into a cracking good West family party – with many little undercurrents and mini-dramas.

Wolf asserts his role as master of the barbecue, from where he can counsel Van, who is convinced if he’d been with Billy that day, doing the crime with him, like Billy asked him, that he could have saved Billy’s life. But he said no, on account of Mum’s thing about them going straight – and Billy died.

Pascalle and her best friend/rival, Draska, reminisce about Billy and the pity roots they bestowed upon him. Eric is intrigued by the concept of the pity root – and suddenly feels much sadder at the death of his estranged son.

Loretta, meanwhile, is under-whelmed by her first taste of sex. Paul decides he has to ‘do it better’. Loretta goes along with it – but a tad reluctantly.

Cheryl’s attempts to keep Wolf at bay – to punish him for trying to undermine her decision to get the family out of the crime business – are being undermined by her love for him. Wolf, literally, sweeps her off her feet and into his arms, dancing with her like they never had a worry in the world.

This is all too much for Van. Fuelled by guilt and anger that the family won’t be appealing Wolf’s conviction due to lack of money, he takes off from the party, crossing with…

Allen Markham – who marches through the party, straight up to Eric (who is working on scoring a pity root from Cheryl’s friend, Rochelle) and decks him. That’s for dobbing me in to the police, you bastard. Eric, for once in his life, is innocent and has no idea what Allen’s smacking him round for.

So Wolf has to take Allen aside and set him straight: he told the police. He knew how Allen felt about Cheryl, was burning with jealousy, and did what he could to keep her. Allen, in his own way guilty in that he did try to nail Cheryl, can see Wolf’s side of things. With a few promises to sweeten the deal, the two men make peace.

Cheryl watches this, marveling at Wolf’s ability to twist everyone who comes into contact with him round his little finger. She looks at the party, swirling around her. This may be fun – but it’s the life she’s trying to leave behind. It’s the life that comes with having Wolf in her life. Cheryl has the hardest decision of her life to make.

Van, meanwhile, has gone on a one man crime spree. Part of it’s an act of atonement for Billy; part of it’s trying to get some money together to pay for Dad’s appeal. But he’s not alone, because Jethro has followed him, tries to convince him to stop being an idiot – ending up in prison like Dad or dead like Billy.

It’s really not what Van wants to hear and it all ends with the two brothers fighting like big kids. As so often in their lives, Jethro comes out on top – and leaves Van to determine his own fate. Of course, as fate would have it, they’ve been fighting outside an equipment hire yard; one with a big yellow digger, just sitting there, for the taking.

Jethro arrives back at the party, which is winding down now, in time to have his father tell him how disappointed he is in him, before going off to join Cheryl in the bedroom. Daddy’s home – and Jethro has got enough Freudian shit to work through to last him two lifetimes.

Cheryl tries, one last time, to get Wolf to respect her choice for the family. When he gets out, they can’t go back to the old ways. His glib reassurances and avoidance are like a dagger to her heart. She has to make that decision.

They are interrupted by Paul (who has just found out he’s been having sex with a 15-year old) – they have to leave now.

So Wolf says goodbye to his family, gets in the prison van and departs.

But not so far down the road, the van is intercepted by another Van, driving a big yellow digger. Run, Dad! Get away while you can! Wolf hugs his son, thanks him for the attempted jailbreak, then tells Van to go home and look after Cheryl.

Cheryl is with Jethro. She starts talking about Wolf – and once she starts talking she can’t stop. She remembers why she fell in love with him in the first place. And she faces up to the fact that if she wants her family to survive, she can’t be with him any more. Her marriage is, in effect, over. So the best thing that can possibly happen is that Wolf stays in prison for as long as possible – because she can’t bear to tell him.

  • Gutter Black

    (David McArtney)
    Southern Music Publ. Co. (A’Asia) Pty. Ltd

    Performed by Hello Sailor

    Licensed courtesy of Zodiac

  • What We Need

    (Weetman/Williams/Weir/Christie)
    Native Tongue Publishing

    Performed by The Black Seeds

    Courtesy of Loop Recordings Aot(ear)oa

  • Controle

    (Boyle/Beckett/Johnston)
    Control

    Performed by Jakob

    Courtesy of Midium Records

  • What You Heard

    (Knowles/Pettersen)
    Control

    Performed by The Checks

    Courtesy of Pie Club Records

  • Be Mine Tonight

    (D Dobbyn/I Morris)
    Warner/Chappell Music Australia Pty Ltd

    Performed by The Dudes

    Courtesy of Stebbing Recording Centre

12 August

A little more than kin

The West girls are visiting Wolf, before they head off for a bit of a night out. They’re off to a going away party at the Markham’s house. Allen and Lexy are two of Cheryl and Wolf’s oldest friends – old enough for Wolf to know exactly what a womanising bastard Allen is. Being pissed off with Wolf for his opposition to her grand plan for the family, she’s quite happy to let Wolf’s imagination do its worst. With him stuck in there and Allen all on his own while Lexy heads off to Paris… Who knows what might happen?

I’m a poor urban maori, alienated from his roots.Jethro

Meanwhile, as the ‘Maori’ law clerk at Trapman-Stierson, Jethro is working on a potential goldmine of a case – misappropriated land, Treaty money – big fees for the company and big ups for Jethro if he can find the incriminating evidence. Enter Hugh, Jethro’s law clerk rival, onto the scene. Hugh is an up himself son of a judge and he wants in on Jethro’s job.

This Jethro can deal with easily. What’s more awkward is that Hugh is rather too interested in Jethro’s ‘Maori roots’. He even goes as far as to wonder if Jethro is related to the famous white trash, criminal West family. The scent of blackmail hangs in the air, leaving Jethro in no position to argue when Hugh manages to brown-nose his way into the tribal case.

Back in West Auckland, at the party, there is most certainly a frisson between Cheryl and Allen, but it is Eric who puts the first moves on Cheryl. Drunkenly and clumsily, of course, being Eric.

And who should rescue Cheryl from Eric’s amorous embrace…? Allen Markham, her very own knight in shining polyester. Having saved her from Eric, Allen proposes to save Cheryl from her job as a checkout chick at BigFoods.

Which is how Cheryl ends up managing the office at Markham Auto Imports. She’s earning heaps more money, Allen’s behaving himself around her and even Loretta approves of her new career choice. Except for the fact she’s just discovered Pascalle is working as a waitress at a strip club, life is looking up for Cheryl.

Wolf, however, is less than thrilled at the thought of Cheryl and Allen spending all that time together. Eric (who is keeping his own ‘advances’ towards Cheryl very quiet) is dispatched to keep an eye on things.

Meanwhile Jethro is also having a good run of it. His te reo (Maori language) lessons with Caroline are not only educational but also x-rated, so there’s no complaints from him there. Even better, he finds the ‘smoking gun’ – scribbled on the back of a takeaway menu.

But scarcely has Jethro savored his triumph, when the evidence goes missing. Hugh. He denies this, of course, but Jethro knows an attempt to steal the glory when he sees one. So…

Jethro hatches a plan. With his trusty PA, Savannah, as bait, Hugh is lured out for a big night out. Meanwhile, Van and Munter are to burgle Hugh’s apartment – to retrieve the smoking gun.

Elsewhere, in a not unexpected move, Allen starts putting the moves on Cheryl. Dinner at his place? She knew this was coming and lets him down very smoothly. Until…

Wolf comes in, all guns blazing, letting loose his jealousy over Cheryl’s working relationship with Allen. Cheryl, already pissed off with Wolf as it is, doesn’t need this lack of trust and tells him to stick it up his arse.

Then she does go to Allen’s for dinner; where he kisses her and invites Cheryl to stay the night.

Meanwhile, Jethro, Hugh and Savannah have ended up in the Champagne Club. Savannah can stand Hugh no more and bolts, leaving Jethro and the very very trashed Hugh alone – which is when Jethro discovers that Savannah was worse than useless as bait, because it is Jethro’s ‘brown arse’ that Hugh craves. Luckily for Jethro, the alcohol has done its work, and Hugh passes out.

A late night meeting is taking place. Wolf and DS Wayne Judd. Wolf can stand idly by no longer. He has information for Sergeant Judd.

The next morning, Hugh wakes up on a park bench.

Cheryl arrives for work. She didn’t give in to Allen’s advances last night. Allen can’t understand why she didn’t. He’s in the process of proving how much he feels for her, when the Judd and the cops raid the car yard – catching Allen with his trousers round his ankles.

Allen Markham, it seems, is not the honest second-hand car dealer he makes himself out to be. Winding back odometers and a sideline in stolen Subarus is very much his territory. In this way Cheryl loses her new job.

She also realises who shopped Allen.

Over at Trapman-Stierson, Jethro leads the powhiri (welcome) in Maori for the Iwi (tribal) representatives. The smoking gun is safely in the hands of Stierson and Jethro is the hero. Hugh, arriving late and disheveled, has been vanquished.

All that remains is for Cheryl to confront Wolf. He didn’t trust her. He had no faith in her. And what he did to Allen goes against everything they’ve ever believed. She tells him she doesn’t want to see him for a while.

Wolf is defiant to the end – he’ll be right there when she does.

  • Gutter Black

    (David McArtney)
    Southern Music Publ. Co. (A’Asia) Pty. Ltd

    Performed by Hello Sailor

    Licensed courtesy of Zodiac

12 August

The Rub

Cheryl’s plan to march her family down the straight and narrow road has not got off to a good start. There is rebellion in the air.

Van is not enjoying working for the Hong family, paying off his debt to them as their pool boy and driver – or, in his words, “a bum boy for the Triads”.

It’s just my suckville life.Loretta

Pascalle’s modeling career, meanwhile, is under severe threat. She’s working at the Snapper Shack fish and chip shop, where the fat is playing havoc with her complexion. Even worse, there is no way she’ll ever get the $1500 to pay Rene, her photographer, to finish her portfolio.

Worst of all, the money has run out. Cheryl’s job as a checkout chick may satisfy her desire for honesty, but it sure as hell doesn’t pay the bills. There’s only so much mince a family can eat by candlelight because the power’s been cut off, before tempers begin to fray.

There is an easy way out for Cheryl, in the shape of $2000 Wolf dangles in front of her. If she accepts the money, she can pay the bills and everything will go back to being alright. Except Cheryl knows full well where the money came from and she’s too proud to fall at the first hurdle.

Mind you, her own working life is no bed of roses; not when you’re working at BigFoods supermarket, under the piggy little eyes of Noel, the branch manager. Noel dislikes Cheryl as much as Cheryl dislikes him. She’s a stirrer, in his book. And she is a stirrer because he’s a little prick who can’t keep his hands off the junior staff and he needs to be taught a lesson.

But, after humiliating Noel in front of the staff, over an issue concerning a roll of toilet paper, Cheryl learns that the supermarket game is a dangerous game, when she is both fired and arrested on charges on stealing $500 from her cash drawer.

Possibly the most galling thing about this is that although Cheryl knows she’s been framed – and loudly protests her innocence – most of those around her (i.e. her family) assume she did it and take it as a sign she’s coming to her senses.

Then, when a whole truckload of toilet paper is hijacked from the BigFoods loading dock, the whole world seems to assume this is West family payback for Cheryl’s arrest.

Cheryl, of course, is shouting her innocence to the rafters, but when she learns that all the other checkout chicks have gone on strike in support of her, she is forced into doing something positive about the situation. She can’t have her workmates not getting paid, on her behalf. That’s just not right.

So Cheryl takes Wolf’s $2000 and uses it to buy her innocence. If she can find out who took the truckload of bog paper and return it, then she’ll get her job back and her supermarket colleagues will all go back to work.

Pascalle, especially, is not entirely supportive when she hears that Mum is offering large sums of money in return for information. That money would have paid for her photos. Now she’ll have to use more drastic means to get the photos out of Rene.

Meanwhile Cheryl finds that the trail of the missing toilet paper leads her to…

The Hongs. Where, incidentally, Van has been seduced by Mrs Hong – which could lead to his balls being deep fried if Mr Hong finds out.

After paying Mr Hong for the information, Cheryl has her toilet-paper stealing man – Oscar Fusilama. And after a few stand over tactics from Oscar’s auntie, the toilet paper is duly returned. Of course, what Cheryl doesn’t learn is that the whole thing was masterminded, from prison, by Wolf. No way is he going to sit back and let his sainted wife piss away the family business.

So things end up where they started. Cheryl’s back at work; Van’s still at the Hong house, doing odd jobs and doing Mrs Hong on the sly; and Pascalle, having failed to get her photos, is still at the Snapper Shack…that is until a stranger asks if she’s a model and gives her his card.

Pascalle has been discovered! It didn’t happen overnight, but it did happen!

  • Gutter Black

    (David McArtney)
    Southern Music Publ. Co. (A’Asia) Pty. Ltd

    Performed by Hello Sailor

    Licensed courtesy of Zodiac

  • Too Hard

    (Brennan / Lawton / Penny / Gordon)
    Control

    Performed by Aerial

    Courtesy of Aerial

  • Dance Stamina

    (Borich / Jordan / Franklin-Browne / Arnold / Hall) Control

    Performed by Pluto

    Courtesy of EMI Music

12 August

Slings and Arrows

It’s one hell of a day for Cheryl West.

On the up-side, her number one son is getting capped. Jethro West, LLB. He’s the first West ever to graduate university and Cheryl couldn’t be any more proud. There is no way she’s going to miss the graduation ceremony, no matter what else happens.

On the down-side, her husband, Wolf, is getting sentenced on various burglary charges. But Corky, the family lawyer, has assured them he’ll be out in a year – at the most. It’s not great, but the family has lived through worse in the past. It’s an occupational hazard.

Well, you know my motto, Cheryl? Where there’s a crime, there’s a member of the West family. Judd

Then there’s a familiar knock on the door and the family nemesis, Detective Sergeant Wayne Judd, leads his police team on yet another search of the West property.

Which is when Cheryl’s day starts getting worse.

The cops are looking for Jethro’s twin brother, Van. They are keen to question him about a home invasion in which an elderly Chinese lady has ended up in hospital. Cheryl, of course, denies all – the Wests don’t do violence – but Van’s unexplained absence from the house doesn’t look good.

And when he does turn up, he has suspicious bruises all over his face.

By then, Cheryl’s day has got a hell of a lot worse.

She’s found out that her number one daughter, Pascalle, has been posing for some risqué photos as part of her dream to be the next Rachel Hunter.

Then Wolf’s father, Ted West (a.k.a. Grandpa) has managed to burn down his house.

Then, in the biggest blow of the day so far, Wolf gets sent away for not one, but four years. Cheryl’s going to be without her man and her children will be without their father for a minimum non-parole period of three-and-a-half years.

Just when it looks like Cheryl’s day cannot get any worse, she finds out that her youngest, Loretta, has managed to avoid attending Shadbolt High School for months on end. (Which is an entirely achievable thing when you can blackmail the deputy principal with pictures of her having sex with Jethro back when he was 15.)

But the crap icing on the crap cake of Cheryl’s day is added when she meets Tracey Hong. Tracey Hong has the evidence that proves Van did the home invasion (on Tracey’s family home) and unless Cheryl can retrieve a missing heirloom, then that evidence will find its way to Detective Sergeant Judd.

Unfortunately Van, incorrectly thinking it might contain drugs, has managed to destroy the heirloom.

When Cheryl discovers this, she also finds out that Van’s little foray into home invasion and the drugs trade was done with Wolf’s knowledge and, indeed, blessing. This is a complete betrayal of the code Cheryl has always lived by – the Wests don’t deal in drugs.

But Wolf is unrepentant – look where the code got him. His view is ‘you go where the money is, or you get out’.

So Cheryl, seeing the writing on the wall for her family, takes the second option. They’re getting out. They’re going straight. No more crime.

The general consensus, from everyone from Wolf to Judd, is that this can’t be done.

But Cheryl is a pretty determined woman when she puts her mind to it.

  • Gutter Black

    (David McArtney)
    Southern Music Publ. Co. (A’Asia) Pty. Ltd

    Performed by Hello Sailor

    Licensed courtesy of Zodiac

  • As I Fall

    (N Becker/M Crompton/A Upston/J Langeveld) Control

    Performed by Aerial

    Courtesy of Aerial

  • Save Yourself

    (G Johnson)
    Native Tongue Music Publishing

    Performed by Greg Johnson

    Courtesy of EMI Music NZ Ltd.